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How It Is Made

Stories about difficult productions become part of the work and sometimes outlast it

How something was made frequently circulates more widely than the thing itself. Those accounts are compelling, partial, and hard to check.

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There is a short answer about production legends and a useful one, and they are not the same. What follows is the useful one.

The short version

  • Accounts of troubled productions circulate because they have a clear narrative shape the finished work may lack.
  • Such stories are assembled from partial testimony and rarely from complete records.
  • A strong production legend changes how the finished work is watched.

Why these stories travel

An account of a difficult production has conflict, obstacles and an outcome, which is a cleaner narrative than most finished work provides. It is also short enough to retell in conversation, which is the main requirement for anything that circulates widely.

The story can be enjoyed by people who have not seen the work at all, which vastly expands its potential audience. This gives production legends a reach that the productions themselves frequently never achieve. Some works are now known almost entirely through accounts of how difficult they were to complete.

What the accounts are made of

These stories are assembled from interviews, memoirs and recollections given years later by people with different vantage points and different interests. Memory is unreliable at that distance, and everyone involved has a reasonable stake in how their own role appears.

In the mix, contemporaneous records exist for some productions and are rarely complete, and access to them is uneven at best. The resulting account is therefore a composite that may be broadly accurate and is almost never precisely so. Treating any specific detail as established generally requires more sourcing than these stories usually carry.

The shape imposed afterwards

Retelling smooths a production into a narrative with a clear cause, which real production rarely has. Difficulties that were simultaneous and unrelated get arranged into a sequence, and coincidences become consequences.

Structurally, this is how any complicated history gets simplified, and it happens without anybody intending to mislead. The smoothed version is more memorable and more repeatable, so it outcompetes the accurate one over time. By the time a legend is well known, it has usually been shaped by decades of retelling rather than by evidence.

How it changes the watching

Knowing that something was difficult to make changes what a viewer notices, generally by making them look for the seams. Elements that would have passed unremarked become evidence, and ordinary variation gets read as a trace of the trouble. This can enrich a viewing considerably and it also makes an unprejudiced assessment more or less impossible.

On a second viewing, once a legend is attached to a work, it cannot be detached, which is a permanent change to how the work is received.

Whether that is a gain depends entirely on whether the legend is accurate, which is generally unclear.

The survivorship problem

Legends attach overwhelmingly to productions that were either notably successful or notably unsuccessful, because those are worth retelling. An enormous number of difficult productions produced perfectly ordinary results and generated no story at all. This makes it look as though difficulty is correlated with outcome in either direction, which the sample cannot support.

On the call sheet, most production difficulty is invisible precisely because it was absorbed and the result was unremarkable. Any general claim about troubled productions drawn from famous examples is drawn from a selected sample.

Production stories are told by people with an interest in how they sound.

Reading them well

Production stories are genuinely interesting and are best treated as accounts rather than as records of what happened. Noting who is telling a story and when they told it usually explains a great deal about its shape. Where several independent accounts converge, the convergence is meaningful, and single-source anecdotes deserve much less weight.

It is also worth remembering that everyone involved was doing a job under pressure rather than performing in a drama. That framing makes the stories less dramatic and considerably more useful.

The takeaway

The story of the making is a story, and it was shaped by everyone who repeated it.

The premise gets you in. The structure decides whether you stay.

Questions readers ask

Are production legends usually true?

They are usually true in outline and unreliable in detail. Accounts are assembled from recollection years later, and retelling smooths them into cleaner narratives than events supplied.

Does knowing the story spoil the work?

It permanently changes what you look for. Many viewers find that enriching; it does make an assessment uninfluenced by the story impossible afterwards.

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Trisha Bhandari
Contributing writer, Hot Gupshup

Trisha writes about fandom and the strange durability of small communities.

Also by Trisha Bhandari