Procedurals outlive prestige dramas for reasons that have nothing to do with quality
The case-of-the-week format is treated as the unambitious option. It is also the most durable structure television has ever…
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Trisha writes about fandom and the strange durability of small communities.
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The case-of-the-week format is treated as the unambitious option. It is also the most durable structure television has ever…
Confining an episode to standing sets with no guest cast saves money. What it did to television writing is far more interesting…
Taking a character out of a show and giving them their own removes the structure that made them work. What survives the transfer is…
A cinema mix is built for a specific room with a specific loudness. Every other playback situation is a compromise, and some of…
There is an imaginary line running through every scene, and staying on one side of it is why you know who is looking at whom.…
Finding a place that looks right is the easy part. Whether it can hold a crew, a generator and a shooting day is what determines if…
The people behind the leads are following instructions, hitting timings and repeating actions exactly. A convincing crowd is…
The work of finding what a scene actually is happens before the camera turns over. When there is no time for it, the discovery has…
Viewers are far more tolerant of a single misfire than the discourse suggests. What they do not tolerate is a stretch that makes…
Screen craft is designed to be invisible, and it succeeds. That success has a cost for the people doing it, and it shapes what…
The judgement arrives instantly and is rarely about budget. Working out what actually triggers it explains a lot about how…
How something was made frequently circulates more widely than the thing itself. Those accounts are compelling, partial, and hard to…
What ends up in a finished work is a mixture of intention and whatever was possible. Viewers see only the result and interpret all…